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1 #1

For Efficiency and Quality! From an album of prints dedicated to the 60th anniversary of the Communist Party of Ukraine.

ID:
736
Inventory number:
Гр-50 КН-2201
Type:
Graphics
Material:
paper
Techniques:
coloured linocut
Dimensions:
34x44 cm
Author:
Oleksandr Voziianov

Oleksandr Serhiiovych Voziianov was a Ukrainian graphic artist, painter. He was born on May 21, 1940 in the Amur region. He graduated from the Kyiv State Art Institute (1972), where he studied under I. Selivanov, V. Kasian, and L. Chychkan. Voziianov worked in the field of easel graphics, painting, and monumental art. He created portraits and landscapes. He was a member of the National Union of Artists of Ukraine (1974). Voziianov participated in republic, all-Union, and foreign (since 1969) exhibitions. His main works include "Awakened Paradise" (1972), "H. Skovoroda" (1973), "Fate" (1989), "Chornobyl - Pain, Hope" (2000), a painting of St. Michael's Golden-Domed and Assumption Cathedrals (1999-2002), the series "Metrostroy" (1973), "Everyday Life in the Village" (1977), "Partisan War" (1978), "Years of Life - Stages of Struggle" (1981); he designed the books "Hungarian Folk Tales" (Kyiv, 1995) and "Chinese Folk Tales" (Kyiv, 2000), paintings in the Assumption Cathedral of the Kyiv-Pechersk Lavra. His works are kept in museums of Ukraine. He lived and worked in Kyiv.

Date of creation:
1978
Preservation:
complete preservation
Location:
unknown
Provenance:
Purchased under invoice No. 8593 dated 12/22/1978. Act No. 2282 dated 09/27/1979.
Date of record to the inventory book:
06.10.1980
Item description from the inventory book:
In the workshop interior — working people. Bottom left — a person engaged in welding. In the center — a group of people working on some mechanism, for which a part is being lowered by an overhead crane. On the left — three people examining a drawing. Rays of light stream from above. At the top edge of the image — a banner: "To the third year of the five-year plan — shock labor!" Below the image, on the right — the author's signature; on the left — the title of the print.